My practice involves constructing an organic hyper-narrative machine using simulacra images. Initially, I select highly recognizable and multifunctional screen simulacra images from internet culture, including but not limited to "video games," "memes," "trending events," "movies," "emojis," "text symbols," and "anime." Then, inspired by the concept of "grafting" from Chinese agriculture, I organically connect events from different contexts within the same narrative thread. Finally, I place these events within meticulously crafted narrative structures, creating a series of organic hyper-narrative images on canvas using acrylic paint and an airbrush. In my conceptual framework, most authors and images have a master-servant relationship, whereas my relationship with my work is more of a creator-organism dynamic. The stories I create do not belong to themselves; they are free organisms whose narratives and characteristics depend on the observer's visual experience of the images and narrative frameworks. Under this image logic, the narrative undergoes a radical transformation. I aim to lead images to break free from the constraints of narrative desire and structure, exploring and constructing the empire of the hyper-narrative machine.