- works and Works and details
As long as I can get there
90x150x3.6cm,Acrylic on canvas,2025
Oh, I don’t drink alcohol50x30x3.6cmx2,Acrylic on canvas,2025
Oh, I don’t drink alcohol50x30x3.6cmx2,Acrylic on canvas,2025
It should be to the left
30x40x3.6cm,Acrylic on canvas,2025
Domain expansion, call me back50x40x3.6cm, Acrylic on canvas,2025
Domain expansion, call me back50x40x3.6cm, Acrylic on canvas,2025
Don’t looking for her anymore
30x40x3.6cm, Acrylic on canvas,2025
Bon voyage20x40x3.6cmx2, Acrylic on canvas,2025
How dare U?
10x15cm, Acrylic on wood,2025
Guessed wrong
20x30x3.6cm, Acrylic on canvas,2025
No! keep dancing30x20x3.6cm, Acrylic on canvas,2025
Delicate it！Fashion pioneers90x120x3.6cmx2, Acrylic on canvas,2025
Noobs! Don’t climb alone anymore
40×50×3 cm,Acrlic on canvas,2025
Stop accelerating and start rotating
30x40x3.6cm,Acrylic on canvas,2025
- process
In Unit 2, I refined my working methodology to better align with my conceptual and painterly intentions. During Unit 1, my process typically involved compiling source materials in digital software such as Photoshop to create a preliminary sketch, which I would then reference during the painting process. While this method offered structural clarity, I found it inadvertently diminished the spontaneity and raw quality of painterly expression that I value.
For Unit 2, I intentionally eliminated the digital sketching phase. Instead, I began by carefully selecting source imagery that aligned with my thematic concerns, and then adapted their placement directly on the canvas, guided by the narrative structure and spatial dynamics I envisioned. This shift was not about relinquishing control but rather about deepening my engagement with the materiality of painting. Without the safety net of a digital blueprint, I was compelled to consider each brushstroke with greater deliberation—including how to strategically incorporate negative space.
Every visual element introduced onto the canvas was critically evaluated in terms of its narrative weight, compositional harmony, and painterly integrity. My aim was to preserve the sense of hyper-narrativity while also embracing the tactile and intuitive nature of painting. This approach required a slower, more thoughtful process, minimizing revisions and allowing for a more immediate and authentic visual language to emerge.
Materials and Drafts
The process of the work