MA SHOW
camberwell college of arts,45-65 Peckham Rd, London SE5 8UF,7-12 July 2025
Process and Support
I tend to select images with strong narrative potential and high view counts as my primary materials. I then create draft simulations multiple times across paper, canvas, and Photoshop.
I reshape each material—adjusting color schemes and perspective, for instance—while occasionally making dramatic shifts to the entire image. Take this sports car reference: to break it free from its original descriptive nature, I reimagined it symbolically. This transformation endows the image with layered narrative depth and symbolic meaning, aligning it more seamlessly with the overall rhythm of screen-based imagery.
Symbolization
In the creative process, I typically paint based on refined sketches, primarily using acrylics and an airbrush, with tape utilized for special effects. The work is usually executed in layers—adjustments to the effect and positioning of each layer shift dynamically, dictated by the evolving visual impact of the piece.